Wednesday, April 17, 2013


Bruce Bond Improvs
1) p.7 Abyss of Birds for Ann

Bless You

my slurred Choo-Choo with the
sweeping and swirling wingspan
like a sword, swashbuckling with
the sharpness of an undeveloped tooth too
deep to clinch yet before the
Achoo!
disrupts the swaddled
comfort of silence. Surprise
stiffens the heart, a slight attack
expires with hoisted eyebrows.
Fingers grasp stale air and
all limbs outstretch and flail. A scrunch
face for hunger, car seats,
and/or allergies for her birth month
jump into an abominable throat
breathing with the tone of a
Clarinet being played for the first time.


2) p. 13 Confessions of a Music Box

Let it Be

grinds in my tight grasp
drunkenly self-taught, one-handed
winding with a thumb
circling right the same night
after its purchase at the Caen
Memorial, edified on genocides,
World War Two, broader
than just Germans and Jews.

The D-Day display held no more
than aged pencils with partial erasers,
paper, and coats, until Pont
Du Hoc exposed the bullets that remain
incased, buried in the cement
of barracks branded with the French
freedom figure of a capital
T under lapped by its lower case.

Call of Duty has been designated as
naïve.

3) p. 33 Rock

At the Mid-West Fight Club

You who witnessed the chaotic quarrel
at the rock quarry in Quinton, Minnesota
fell victim among the coral shaped gravel.
Where they stumbled into the rubble, the mosh
and slam dancing grew madder with each
stagger the faster they faltered. The fists in
waves, tumbled waist deep. Their babbles
spilled, not dapper nor spiff, but gross.

The tremolo of torture muffled
like an underwater oboe. Bubbles
popped sharp ceramic could be bricks
props for the fight in a field of the smitten
with a lust, a longing for the gore.


4) p. 37 Scar

Doc, This is Not Recursive

Present tense that is not now but
intensely presented as an
abstract
present somewhere between
there and then.

Rather
their check-ups are
fortunately in the future,
but the appointment is called
here.

Hearing tests where
the caller appoints their availability
to call out, not for, after the sound
checks out of the headphones. There,
heads are choked by phones for
the appointed who have made
the transfer here from there.

From comfort to cold and stale
Paper present for that then
when all decency is lost
as a present for waiting
in the room brim with sickness.




5) p. 38 Madam Zero

Miss Sal

Who tastes the darkness
that feeds her. She solemnly speaks
with rich red on her teeth
smudged like her reputation
that refuses to admit defeat,
retreat. A Civil War confederate
with schizophrenia inherited
from her mother/

Daughter of the moon with a temper
like our star boiling with a mania
for men ending always with depression,
slamming all windows and hope
for a husband.

Her mother matches
in every aspect not a role model
but a Mustang never broken,
sworn to swerve forever past all possible
yielding. Merge with hesitation
when Miss Sal sells her soul


6) p. 42 A Diet of Angels

Cirque de la Mer Should be Mar

Dolphins laugh odd, loud, stern
for anchovies not to waste outside
the water. San Diego’s world
of ocean hosts the show
Cirque de la Mer, a circus act
of leotards and those flexible
and flailing in the cove for the
splash zone bleachers amused by
the teasing of the captured with cultured
brown salty kelp replaced with cemented
gates.

One spiral slip and that was it.
Darla dashed down and out, over
the hold. Down with a swish of dirt,
and muddy carcass’, as fast as her tail
could up and down. A ‘V’ of light
ski’s above. One glance towards
all net, dunked with a slam back to
tricks and poor taste.



7) p. 49 Homage to the Ear
“You are the rumpled sail of a ship”

Hook, Line, Sink

You are the grime on Blackbeard’s poop
Deck, the screw of a lightning
welk. The spikes of a lace mupex
dug deep in shattered remnants
of your kind, who come and go,
a sonic clinking across as treasures
for tourists. Rare you are like a bloody
baby cow, expensive you will be
once desanded and unshelled.

Home once to a hermit who stranded you
because the introverted among the buried
booty need a change in buoyancy,
like the homeless hooker
who bums
lines and sinks at the beach.


8) p. 57 The Last Days of Jaco Pastorius

Em

E minor is two fingers squeezed
at the neck’s upper middle.
Sleepless barn owls pop smooth
riffs and tunes for the feasting on
steak tar-tar, but the slightly empty
will remain the tip jar,
the punny quote disregarded,
a feeble peal, chink, clang,
and that is all they offer
after overtaking the volume
of the amplifier’s dial periodically
turned clockwise as the value lacked
conversations boom all materialistic
like the bearded music maker will be
when offered a slot in today’s top
forty for forty days
listened to by only those who have lost
their white USB chord.






9) p. 62 Peal

Scoff

Floating but not bobbing, buoyant
everywhere the screaming of the mute
the judging of the jury peeling, stripping
all dignity left in bright tangerine neon
unified pantsuit uniform. Who knows
Elvis was obviously given the wrong
impression until he discovered shades
below a curled front, combed sides,
that bastilles are not just for parading
tanks and young French men in livery
who think Erica means American
and Heineken is Europe’s equivalent
to PBR. Alehouses don’t rock, but
they’ll land you in the jailhouse
if you decide to commute
across the border, hiccupping
and slurring racial indifferences.


10) p. 52 Homage to Georges Bizet

Seeing the Seine

Where Picasso defiled the Mona Lisa
among others, drowned to be found
later in piss, vomit, sewage of the ships
that pass through the scenic route.
I want that power, to be the most famous
of the contemporary for being an artist
regardless of my scale of morality.
To remain forever immortal
based upon a shape repeated,
sense made of nonsense
because blue means sad
red means mad
madly in love
with that which inspires
the scraps of what could be
back into the stage of the Seine.







The Radio Tree Corey Marks Improvs
 1) p. 5 The Radio Tree
Mud Under the Family Tree

Parents whine, then unwind
with a fishbowl atop a stem
of fired sand, filled, almost teeming
with blood red cabernet, because white
wine, more yellow in tint than lack of color,
goes best with fish or chicken. Pork
must be a red carnage then, not the other.
Poor pig forever segregated, prejudice by
mothers of the Middle East for rolling
in mud to cool and chewing the cud
renders the snorting squealers unclean
to cut up and cook. Unclean is public
rooms for resting your rump,
segregated by sex, previously
prejudice by skin color. The violent
pigs, much like parents, resort
to savage striking. Why?
Because I said so.




2) p. 8 A Brief Account of My Thirty-Third Year

Thank The Lord!

The year Jesus appeared to me in my potato
was followed by the year he greeted me

at my window, Christmas Carol style,
to warn of witchcraft in the homemade

Ouji, we used to summon the psychic
through nontoxic Crayola box

letters of the alphabet, yes, no,
and single digits slid to by a blue

blown glass heart forever lost,
never found, I once was eyeless

but now I see Jesus,
at my window, hover over

the scratching tree arm lit by
dull yellow-orange candle tops to black poles

He winks and warns clairvoyant
like a crow perched and cawing.
Acceptance of death is mandatory but
thank Jesus consistently for a happy ending.


3) p.10 Dumb Luck

Puppy Love

Lucky is/was a minx with a tail
and rabbit hind feet, orange striped
like his brother, Julius. My best friend
would drink from the porcelain potty,
eat Jade, our black labrador’s food,
and spoon with her. Mother had
Tubbees, another Lucky sibling, Dad had
Mama Kitty, AKA Angel (fallen and blind)
Max was shared by all of us, 6, but
my brother’s companion was not a cat.

Jade was big, black, beautimous, bold and grew
old, inside, not moved to be neglected
in the assumedly spider-ridden, clawed couch
matted with fur – the only seat in the cold,
cement-floored cellar. Forgotten
like all my high school shoeboxes shoved
with photos and notes of the “Stay Sweets.”

Four cats humanely placed in a society
of bars and strangers trying to find a match
suitable that hopefully may compare to each
their first love.


4) p. 15 The String

The Epoxy

pressures everyone’s
trust

by pretending off ten
why don’t you’s

a performance face
forward, blunt like you

do on clay tile under spotlight
slippage causing fail

Affixiation.
Two of too much – half-ass

with the strength of
a misunderstood pubert

and close to ants you’ve  been
told insistently that your beautiful

eyes must never roll. Back to
start:

if duct tape can’t remember its assigned
purpose to be everywhere and permanent

to everything it contacts except you
and your clothing, like that tie-dyed shirt

fingernails can now tap on
like a hobo’s bucket drum

a lying five minute dry
time with the precision of a perfect

fifty/fifty. Something used
from a crappy craftsmanship

will always be fucked
will never be the chosen
glue.





5) p. 23 Sleeper Lake Fire

Insomniac Like Water

Extinguish hair in wind’s way of lighting
cancer, aid the lung’s lifespan, don’t cheat
God’s chiseled masterpiece
but it’s cool and the tingles that
oxygen swindles. Do trees
get high off of our air supply?
This is the atmosphere of a dream
smothering as a descent
among the subconscious sever macaws
but colors subdued to trick
the sleeper, robbed from the tradition
of vivid. At least the alert have hope per
verse:
lyrics that choke and trap light within.





6) p. 37 The Black Bear at Closing

A Marred Mare

Bring forth the horse termed Bear
who withstands the band and abides
despite the lies of carrots. The right
paw sits crooked like a crutched,
cane walker, wrinkled and now a
Sitzpinkler. Oh my Glob Finn
would exhaust to the status of the
steed and his ribs, chained for
entertainment in the same
manner of the dapper who dine
on a live ape brain, skull cracked
unclosed, under the table, head
exposed.

Ralph-Lauren wearing
players of the polo, a game
for the ego. Hooves abused,
sores tangled under the
emaculated matted mane,
left unbraided, but made up
for the show until bloated
then shot, plotted soon replaced.



7) p. 41 Bell

Chicks

could coo and clamor clean a
path clear to clang like the
dismissal bell wrapped in cloth,
starched and marked
for the thirteenth birthday’s breakfast.

Chloe flocks down the steps, clearly
calling for attention with cast iron
like clogs on her could be feet
that once bolted too much to catch

too close to skeleton she cracks
now, like the starched cloth in the ice
box she swipes her sagging eye bags
to clean and hide her sickness





8) p. 45 To the Reader

To the Reader

What do you hope for, Love?
To have your name printed in any college
textbook, half a century rotted, coffin
interrupted by the roots of the green
that inhales what we humans exhale.

Do you wish on your eyelashes
for selfless help? To save those who do not
wish to save themselves from suffering
like that moment the retired from battle cry.

Do you aim to forget
that which plagues your photographs of
specific scents and places that drain all
senses, all the laughter that ended
with a betrayal of tears, only to be slammed
shut with anger, like being engulfed with
a requotable, rereadable novel.



9) p. 49 Little Bird

The Yellow Bird

A yellow bird accompanied by the white perched
far and the black of judgement greet the morning
when I realize this is the start of ever blues
melody. I know what the final bridge will look like:

An assertive pour piercing harder atop the trees.
The yellow bird twitching, eccentric, shaking
the rain from sight and feathers, too forceful for flight.
Like a gull, scheming a first degree slaughter.

The raven wastes time imagining authority,
claiming first dibs on the summer colored morsel.
Nevermore knows the pure’s strategy.

Seasonal depression writes the ending to this day.







10) p. 55 After the Shipwreck

Waves scribble the alphabet.

All vowels, not Latin, no Q’s
who stand alone, wading,
knee-deep in the wake of the sand
to the western Pacific, a passive
blue crystal and vividly new. Free
to roll without oil, crude contaminants,
remnants of the man-made machines
for faster, efficient, effortless manufacturing,
production of pollution. Power-starving
greed turns blue to green to earthy to worthy
of brown. The mother of the planet’s
expendabilities stripped for ease and disease.






Junkyard Quotes:
1)       Nicotine and black caffeine are manmade/natural laxatives.
2)       Please touch me like you work for the TSA
3)       Found random glitter on face with no previous known exposure
4)       Your Wii is not thirsty, it does not want orange juice.
5)       Universal language: sarcasm
6)       Dear Cupcakes,
The fact you cover yourself in icing really says something about your self-esteem.
Sincerely:
Muffins
7)       Punchline: Tulips on an organ
8)       Does Atlanta sleep or should I wake her up?
9)       Haunting in Connecticut 2: Ghosts of GEORGIA
10)   Kill mosquito on the wall: Leave the body to serve as warning to others.

Wednesday, March 13, 2013

Journal 2


Junkyard quotes
1) Stop wiggling on the wall!
2) Squippos and Grippos
3) it smells like dead roses at the dining table
4) I’m going to brush you down the tu-lit
5) so I have some viles of human blood. Can I use that instead of feeding?
6) Charlotte is my choo-choo Charlie
7) Denim crotch patch could grasp wrong attention
8) I could have stayed up at 10am but decided to dream instead
9) Caterpillar welfare
10) Andrea Gibson poetry performance quotes: waxing and waning; Eli’s teddy bear tattoo, rocking like Daddy, save me
11) Foxes are like dogcats
12) what you shockingly (doing)
13) you’ve been hit by / you’ve been struck by / a moose genital
14) they’re calling your face interwoven – LSD patient from the 50s
15) If people wanted you to write warmly of them, they should’ve behaved better
16) smoke milkshake videos
17)My soap opera is like watching a tennis match
18) Hallucinating Zack the cat sees ghosts, a sixth sense
19) I must have a Golden Snub-Nosed Monkey
20) It’s okay I started a new sticky [note]

Improv 1: Natasha Tretheway “Blond” Photograph Prompt

“Step-cousins”

Sunflower-yellow daisies in a field on that island in west Canada,
A double exposed, disposable photograph barely the form
of the driver’s headrest in a dominating angle,
A barely audible accident captured 90+ percent transparent
Layered over the vast yellow with two younger girls
The one standing has an octopus tattoo now
Eight arms hugging the back of her hand
She calls herself Angie now, not Angela,
Grandma’s  California Christmas present
Were gloves for her. She will never adopt her
As Grandma though, the same way the other girl
Who collected the yellow daisies in the
Double-exposure will never adopt her husband
As Grandfather.
Their grandparents may have signed a marriage certificate
but he doesn’t belong on her family tree.
He was more like a dead leaf that flew off a crispy crunchy projection
and blundered until unfortunatel snagged by
Grandma’s bough.

Improv 2: Louise Bogan “A Tale”
“Rosa and Banana”

My pink and yellow fishies,
Rosa and Banana,
look quite squishy
If only they could play like Santana
I’ve had them for too long
they’ve lived rather prosperous
the water’s PH probably is too strong
Phosphorus?
They illuminate under UV light
They are called Glowfish
and kitten loves to smite
Sometimes I wish she’d give them a kiss.

Improv 3: Pimone Triplett “Comings and Goings Bangkok”
“[They] look up, then look away”

from unique controversial creativity
that scalds all logic, corrodes away the cliché
by overusing the overused

But there’s no exposed exertions
just a crass composition.

Fame will form for him from their
tittle-tattle rants after his silent critique.
He could have made his own molds though.



Improv 4: Aimee Nehumumatathil “Canticle with Sea Worm”
“A Horny Hymn”

Blessed be the deserted
interwoven hooves in tall greensward
openly weeping the ingredient for witch’s swill
Blessed be the neglected
by Noah, refused aboard the last
shelter from extinction.
Blessed be the evolution
of dapple grey, the arctic rogues
swiping away all reflective pigment.
Blessed be the coast of Greenland
of ice melting the classic model
from steed to sword.
Blessed be the remained
mammal, pillager of puncture
and a spectacle of the seas.


Improv 5: Heather McHugh’s “Language Lesson 1976”
“Forget-me-nots”
Never hold me, but hold
the raw, red onion Daddy Robbie said I could bite like an apple
Never hold the young Heath Ledger, but hold
Batman’s Charles-Manson affect.
Never hold that Irish bar in Bayeux, but hold
Zombie Bum’s body language request for rapport sexuel.
Never hold Sunfest, but hold
the prices for liquid dinosaur fossils.
Never hold Brooke Alice, but hold
her mother, ex-stepmother’s  words at Daddy Larry.
Never hold me, but hold
my comment on your ex-fuck buddy being a heroin addict.
Never hold me, but hold
my filled Hawaiian headrest that never fit anyway.
Never hold me, but hold
the way you swing me like a yoyo in a tennis match.
Never hold me, but hold
what I’m told is I must be The One who got away,
But never hold me.


Improv 6: Ai’s “Respect, 1967” Persona Prompt
“The Pusillanimous, Newbie Alcoholic Lion”

I could discuss with you at the bar for half-an-hour-plus something attractive
if you can’t tolerate
my obsession with fake eyelashes about how they come out of a tube
if you don’t mind
my fascination with the unnecessary glue that holds them and I’ll continue
if you don’t notice
my curiosity for primping and pampering my curls I sometimes straighten to see
if you cared

I could describe myself as taller than you on my hind legs, faster and stronger, like that Daft Punk song
You don’t like
I won’t roar thunder or use my carnivorous canines that should be called felines
if you won’t listen
I think I’ll get another refreshment of Bud Light and hope I don’t scuff my Michael Kors
if the bartender’s prettier than me
I’ll have to go home alone


Improv 7: B.H. Fairchild’s “Madonna and Child, Perryton, Texas, 1967” Cinematic with Appositives Prompt
“Like my killing cliché engraved ceramic bricks to be built into a wall,”
The cushions have concretized, especially in the back
and/or dead center of the cinematic inexpensive hole for
procrastinating movie goers, or the fairly financial unfortunate.
This is where I saw Titanic for only one green Washington. But nowadays
Batman, who killed my husband and his role quite literally, must be viewed
for two Washingtons. Epic depictions of fast action by moving colors, all lights
still intact and deafening blows, sonically direct from front-right, front-left,
surrounded by sound in comfort, is only for the punctual, those transported
by Range Rovers, old people with cream Cadillacs, Mercedes, and Jaguars,
and those who don’t play “Sex” on the drive  to their gated home,
to too many windows, from upstate in Boringville, American Dream.
“Sex” strips your clothes if you say it last when you see a vehicle with a missing
light at night, and there are always so many fancy cars that have an extra set
of beaming bottoms, that always get you naked, like after date-night to the

dollar theater.


Improv 8: Brigit Pegeen Kelly “The Dragon”
“Bee Swarm”
The sardonic scene isn’t playful like Pete’s Puff.
Sharp, needle stingers crave diabetic blood sugar
in fluffy black, yellow veined fuzz Styrofoam with
doily lace wings, purged in the shape of her megaphone
upward, like praise.
I wonder what she’ll call this bust when finished.

In the Garden of Eden, Marie Antoinette’s wing
of Versailles must have been foreseen, minus the
possessed cherub that occupied the right of the fountain,
never proceeding to flow. The Rococo gold overbears inside
his wing, but hers eighteenth century modern, the outside
rich with profuse perfume from the opulent picturesque pedals
the buzzing drones refused to share.


Improv 9: Gwendolyn Brooks’ “The Rites for Cousin Vit”
“Joseph Gordon-Levitt as a Heavy Metal Hero but Also Antagonist”
T.J.’s Grandma just wanted to go for a walk.
So he unshunned himself by binging,
assumed as not the first, tall-boy, local
P. Blue Ribbon then thrown across the sacred
sanctuary. His metaphoric story time
for her cherishers, expounding how he lost
his blown off left nut.
He coached her bong-smoking skills
and recited the raunchy riddle about Kermit’s
slimy, bacon finger stench.

T.J.’s Grandma just wanted to go for a walk, and that was
 the end.


Improv 10: Lydia Davis “A Mown Lawn”
“A Snail’s Hell is a Small Shell”
Small tails on snails trail like small males who flail then bail until they need a bail from jail because he tells her it’s like the tale of the Wailing Whales’ Nails in small cells: all because they failed to hail Paul Dale who veiled their skin pale. A snail should put her shell on sale to derail her from Hell.



Prompt: Recursive Method
Backs of Benjamins: upside-down prego stripper silhouette in chrome oxide green
Chrome backs should oxidize green silhouettes
Prego strippers bend backs for Benjamins
upside silhouette down chrome
Benjamin oxidizes strips of backs
backs of green Bills, not Benjamins

Prompted to reflect obsessive trauma:
“Violence and Donuts”
Shot at Krispy Kreme because Hot & Ready sign was off

Only hot shots off Krispy Kreme signs.
Signs shot off the Hot & Ready Krispy Kreme that
Krispy shot the sign because hot was off Kreme and a
hotshot Krispy had signed Ready for hot Kreme shots.
Ready Krispy offed Kreme because the hot sign wasn’t ready for shots.




Improv 11: Anthony Hecht “The End of the Weekend”
“Rats are Rodents”
in a group called mischief, and they brought the plague
but so did the white man to the natives.
They’re only nonaggressive mammoth mice, with longer scaled tails,
nibbling fingers and escaping to explore
where is the source of this cheese?
Furry fiends that snuggle and cuddle in pockets,
their lives tested and tried to cure your hominid diseases and cancers.
Those twitchy noses are just like your petting zoo mammals
Ratatouille, don’t knock it til you try it, unlike kitschy carnivorous pets they’re
classified omnivores like you.



Improv 12:
William Matthews “Loyal”
“Jade’s Legs”

Big, black, and beastly, Jade was the best
damn dog to lead. All panting smiles,
until her eyes went darker than their usual brown
with black speckles.
She would jump and swim no problem at Lake Lanier.
Camping with us, stealing crisp, crunchy marshmallows
from our found sticks that long after resembled her legs:
a whole burnt smore atop a dirt infested dead branch.
Her favorite, Garrett, a manly boy with dreams of
being a Marine, couldn’t face her with his cry.
Not his fault she was overfed, underwalked, and
very loved. “No wonder we confuse love with longing”
Longing for her life to have been lengthened, for her
legs to lunge her back into Lake Lanier where the whole
family never ceased to show their teeth
just like Jade, no matter if some were
missing.


Improv 13: Alison Joseph “Salt”
“Pepper”

The grunge decade spiced by the Red Hot and Chili’d,
inspired by hollow vegetables, and or berries, where
the seeds are more distinctive to the tongue than the sides.
The black speckles most pray don’t get stuck between teeth
to burst later a flavor followed by coughs.

Red, Yellow, Green bells ring sweet and shish kabobs
lathered in olive oil, grilled and glittered with a dash of
the season’s bride in white who came all the way
from the sea to compliment and serve condiment,
marrying the mild marinade.


Improv 14: C.K. Williams “Neglect”
“Like genitalia shaved and disinfected for an operation”
Reconstruct gender after
relinquished you cancer,
remove innards and
replace outwards
renounce your typed title
recited since birth
recurred with pinks or blues that the colorblind
refuse to translate for those who
read, assume, imagine
roles as
right.



Improv 15: Jack Gilbert “In Dispraise of Poetry”
Illegal Liquor for Elephants

Blood explodes from soft grey skins for the cost
of soft bone assigning a sell-by date for those who
remember every instance, every relationship, except when
they age and dementia devours away their ability to
retain reflections in their half-whale-sized
brains. Thirty beats a minute their hearts
average as many pounds as a British
elementary student. 
Ringleaders whip and hook to entertain those
with thick and heavy jingling pockets and purses
to exploit their extravagant elegance and aesthetic obedience.


Improv 16: Larry Levis “The Poet at Seventeen”
“My Dad, Larry, at Seventeen”
I am told I would have never been made
had my Dad, Larry,
hadn’t had his neck sandwiched between
barbed wire spokes.

His bike brakes broke before he could
turn away from the far from safe
fence that should have fell flat,
like the Iowa that raised him.
Mom, Kim, said whilst intoxicated that I’m
an “intentional accident.”  Dad doesn’t know
she had intended to forget one small pill. I can’t be
his worst mistake; he sold his Transam for a Stratocaster.


Improv 17: Sherman Alexie “The Powwow at the End of the World”
“She is told by many of us, she must forgive”
herself for making buckshot for bull’s-eyes from
her own wicked words, and customary mutilations.
She is told by many of us, she must forgive
her father’s slingshot triggers pulling blacks, purples, and greens
she disapproves of onto the canvas he plans to title Pollack.
She is told by many of us, she must forgive
her mother for drinking to delay the pain of
her headaches to begin with all the in-laws on their way
She is told by many of us, she must forgive
her family’s sickening  freshly painted white-picket fence
She is told by many of us, she must forgive herself.


Improv 18: Allen Ginsberg’s “America” (A haiku because politics are used often and Ginsberg was reciting a drunken rant on the reading I saw on Youtube)
“An American Haiku”

Oh, America
“Caterpillar, Albama,
Welfare,” says Caitlyn


Improv 19: Tony Hoagland “America”
“Another American Haiku”

All student loans seem
materialistic. Oh,
why, America?



Improv 20: Robert Hayden “Those Winter Sundays”
“Dressed”

Fancy clothes for interviews and such are hung
dry and left for the rare, dapper occasion. All
other items to wear, whether skimpy strings
on denim with holey knees, or limp long sleeves
that warm under trans-pajama shirts,
get piled in a sorted mass to be shoved into the
dresser that is not properly named for when
asked what to wear, it always replies with
indecisive silence.
 

Improv 21: Marie Howe “Sixth Grade”
“Summer after Sixth Grade”

I looked like a mushroom because Hawaiian
barbers thought my collar bone, shoulder region
resided with my jawline.  I didn’t get complain
because I had just seen Lilo in Stitch in a theater
called the Makalapua Cinema.
I went to the United States’ South-est point
where a photo of me, pre-hair massacre, was shot
and shows the straight-lined implied divide of the blurred
horizon, a contour of choppy versus calm,
before and after we had come from the forests of Rainbow Falls.

Snorkeling at first was frightening: Ramen-rabid
swarms of the pretty colored but ever munching.
Then I learned how to use my body as a surfing medium,
and also learned how to cartwheel against the clarification of
the compound word, sandpaper.



Improv 22: LeRoi Jones (Amiri Baraka) “Preface to Twenty Volume Suicide Note”
“Praying no one hears an approximate waiting time on the national suicide hotline”

How long would it take the Wind to save someone whose suffering,
soliciting for an ear, only to be put on hold by horrible music that resurfaces
all those places that caused these drastic decisions, and only the voice
of a somehow female, monotone robot who requests you to stay on the line
for an approximate waiting time of One-hundred…. And… Two… minutes.
How many pills can two hands toss down then chase with Kool-Aid colored toxins
in a hundred minutes?
How many rope tying, chair climbing, wrapped neck, tip-toes can be stepped
in a hundred minutes?
How many ways can the most selfish act of taking away any individual’s life, from those
who are not done sharing, be listed and described in full morbid detail
in a hundred minutes?


Improv 23: Robert Creeley’s “The Rain”
“Love if you Love me”
sounds like the swish of a tennis match,
opponents hypnotized by tournament
grunts spiked with nets that serve
a purpose opposite of safety
settling could mean comfort, but then
where’s the competition? where’s
the surprise jack-in-the-box ending?
a proclaimed winner of love and loser
of love must be declared, because
the divorce rate nowadays is 50/50
and overtime isn’t supposed to
last forever.


Improv 24: Derek Walcott’s “Blues”
“Play rough, pummel until olive-green”
black olives are better, but whatever
I’m going to play your face like those
long nailed guitar players who strum
steadfast Spanish with no hesitation between
rapid neck clenches and fist outstretched
strikes against the body,
already hollow, like post autopsy.


Improv 25: W.S. Merwin “The River of Bees”
“He’s fallen into his eyes”
Where the swollen wrinkly ravines flow
from furrowed indifferent conflict to
chickens feet stuck in winter snow in the
northeast and northwest corners of the map
he will never see again, for “he has fallen
into his eyes”


Improv 26: Seamus Heaney “Digging”
“Squats and Rests: Results May Vary.”

Extreme exercising and shocking the vessels of strength
rips and tears repeatedly. A rupture needs rest to heal,
repair, and rebuild as more robust. For guaranteed results,
all isometrics should be executed mid-morning.
Diamond push-ups help to keen pectorals,
and when pushed-up against the wall
can increase the bust’s circumference. Lunges, squats, any physically
strenuous activity performed to build stamina and endurance
should be exercised with slow, concise control, as well as
frequent water breaks, to avoid purging morning coffee
all over your partner.




Improv 27: Ted Hughes “View of A Pig”
“Scald and scour it like a doorstep”

Our solar systems center star may scorch millions of
doorsteps each day, but someone would have to hold
a magnifying glass if there was any real intention
of tangible damage to the place of beginning exits
and ending entrances. Opening and closing is a privilege
taken for granted by those who under no
circumstance pass around pity like a bottle of rum
on the beach deserves, shared back and forth,
back and forth. Turning knobs can only be done with thumbs,
And what will become of the milk that’s to be delivered?
Scalded, scoured, curdled, and soured on the doorstep.


Improv 28: Mark Strand “Man & Camel”
Camel Blues
were called Camel Lights back in his day. But today
is his fortieth birthday. His first birthday lacks presents after
or before the cake that will never arrive with a wink and
a smile, yellowed by the spot-on combination of nicotine and
black coffee. He pulls the carton out of the freezer
removes a pack and packs them with slaps louder than they
had ever made love, then he sits in the chair she built last year
that embraces his leaning and reflexes quaint squeaks
in a rhythm that matches his earlier snoring. He ponders why
they had never decided to get a dog, and name it Camel.


Improv 29: Thylias Moss “Tornados”
“I Envy”
Those with concise craftsmanship
That which electrocutes all five senses
Purified and crystalized concepts
Declared significant with
The perfect answer to What’s at stake?
Those praised with any monetary prize
The line that sits fierce on the resumé
The proclaimed winner of critique
                       But loser of sleep, nutrition, and sanity.


Improv 30: Gary Soto “Mission Tire Factory, 1969”
“A tattoo, rubber lungs, and a crotch”

My mission to draft my dreams was a success during Smoke-Break
The lime green sticky note documents three types of airplanes models
to transport people by road, by water, and cities in air; The nose less
villain from the Harry Potter I haven’t seen played a sick matching game
with my family involving a wooden board with worded doors who was
guarded by a dog who had people on leashes who attacked a giant bag
of food until it ripped open, approving trespass; I had three monumental
works in a gallery; and Nancy had a glamour shot where she looked like
a young John Lennon.

This recording occurred after the discussion regarding
denim crotch patches,
and before listening to Andrea Gibson’s performed poem about Eli and war and
soldiers that made me cry for my brother who will hopefully never
get a teddy bear tattoo, or rock in my parents’ lap, “Rocking like Daddy save me”


Improv 31: Robert Pinsky “Shirt”
“Skirts”

Long and hippie-like covers shameful ankles
bruised knees, or the plaque kind of psoriasis.
Knee-length enables flexible sitting patterns but
criss-cross-applesauce still requires shorts.
Cheeks that peek reveal cottage cheese dimples
and there’s never fun with a cheating hide-and-seeker. 


Improv 32: Kevin Young “Ode to Boudin”
“Maybe Jambalayas Baby Mama was”
the sister to some rice and green vegetables,
an in-law to the shrimp captain’s,
a cousin to the tabasco of the bayou.
the daughter of a sax’s jazzy blues,
an aunt to victims of the voodoo,
Or maybe she was just a French Rosemary.


Improv 33: Lyn Hejinian “Elegy”
“Flesh and Imagination” 
Tissue paper is the right half of reason
software downloaded to view and edit
Canon RAW files in the shop saved as pegs
named Jay thousands of inches in dimension
resized orienation to be printed on semi luster
paper previews first so transferred
inks bleed hours to clot allowing sooner
the expensive cartridge transfusion
the organ’s left side logic will
flesh out the forgotten finances of the
imagination.


Improv 34: Philip Levine “Growth”
“Penepole the Pope”
cleans Catholics with soap
to help them cope
with their scoped
hope
so they won’t mope
smoke dope
or lope down slopes without
rope
she tropes to say
nope to gropes


Improv 35: Ilya Kaminsky “We Lived Happily During the War”
“Forgive us for our streets of money and cities of money, in our country of money”

The gold-bricked roads spiral
between curbs of silver coins,
because copper can be sold for quick cash
at the pawn shop to the gold toothed
prospector who never suspects the wire
was stolen from the air conditioning units
of the church on the top of the hill,
where the moral worshippers will now sing softer,
shorter hymns, to avoid blacking out from
the lack of circulation and the temptation to
dance, coupled with praise, will be cut short
by strokes summoned by Satan himself,
who starves for shiny objects
like crooked coins and tainted taxes.


Improv 36: Alice Notley “I the People”
“Gold that is,”
I am dull shimmering L and M wavelength for retina cones
you are openly optimistic to the classy cooing canaries
she was regarded as VIP a bright, pricey posh
we were the easiest shade to see, even for the colorblind

we were exclusive
he was affluent
you are spiffy
I am luxury


Improv 37: Camille T. Dungy “The Preachers Eat Out”
“Where do you want to eat?”
No, that doesn’t sound good.
No, that’s too expensive.
No, that’s far away
No, I just want something fast
No, it made me sick last time
No, it’s your turn to pick.
Let’s just grab ice cream and make sandwiches at home.


Improv 38: May Swenson “Strawberrying”
“Strawberry Seeds are Spawns of Satan ”
The texture of strawberry seeds makes
a bite into a sensual fruit similar to biting
into a saccharine sand bomb, an overwhelming
crop dust of pellets or pebbles, grains
too small to spit that must be digested 
despite the displeasing departure from teeth
to tongue. Sugar shields the grit a bit
an indifferent consistency that smacks toward candy
but
chocolate is always the best disguise


Improv 39: Toi Derricotte “In Knowledge of Young Boys”
“i knew you when”
you climbed the front of your dresser
and hung there screaming for downward assistance
i knew you when
you couldn’t sleep unless we watched Lion King seven times in a row
and that was during the VHS days, no repeat option
i knew you when
you had jumped on the trampoline and I would pin you down
and tickle you, letting you catch air every once in a while
i knew you when
you would stay up and wait for Santa to fill our stockings with candy
and you played marbles with me while Uncle Leo snored.
i knew you when
you would refuse to put on pants and run around mad
and you were always wearing super-hero tighty whities
i knew you when
the consequences of
your decisions only mocked you.


Improv 40: Elizabeth Alexander “Haircut”
“Snowflake Mushroom in Paradise”
A twelve year old, whiter than white mushroom stalk with an almost black bob for a top happened after I pointed to my shoulder, then my collar bone, for length of which to snip. Jawline must be Hawaiian for shorter, and she might have forgot her glasses that morning, or left them at Kua Bay, or they flew out the window on the bumpiest dirt road every car will need an alignment after trekking on her way to Makalawenas. My mid puberty self-esteem that suffered that risk returned with the school year. Luckily I got a hair splitting, frying, straightener for my birthday that year and my oldest cousin showed me how to do a half-do ponytail.


Improv 41: Eavan Boland “The Pomegranate”

“A fruity Haiku”

Fruit should never be
cut. Flying seeds and juices
never worked for Eve.


Improv 42: Audre Lorde “Power”
“Racists and Rapists”

Weakness, strips control through
sovereign violence because
the self-sustained dominance lacks
function. Possessed by the passion
to look down from pretend pedestals
on trustees who share too quickly
and confident with those who will only
serve and protect their selfish egos.


Improv 43: Dylan Thomas “Fern Hill”
“I sang in my chains like the sea…”
… that wanes and swells,
I wine and sell sea shells
for pieces of wood and iron
to break the curse of the octopus lady
who chained me to coral
calcium chalking my ankles
seventy thousand five hundred and fifty-two
slivers of anchor and deck left to pay
back my debt for trespassing above her
lawns of skulls,
I sing to the sailors, whose scalped heads
are worth twice that of a Navy anchor.


Improv 44: Yusef Komunyakaa “My Father’s Love Letters”
“Jack’s don’t come in cans”
They arrive in mesh bags, like the kind that hold oranges,
with bouncy balls. Since Jacks have spikes, a can would
have been safer for the unfortunate, urgent parent,
who would explain after cursing
Jacks don’t come in cans
because it wouldn’t be cost efficient. Don’t worry
what that means just yet, it’s not a
friendly phrase, and we’re throwing these away
anyway.


Improv 45: “Eating Alone” Li-Young Lee
“A hornet stung Father”
in between his eyes, right on the unibrow.
I was peeling an orange when I saw
him brutally declare a duel
with just one, but then the wasps family
had his back, and Father was outnumbered.
He lost the west facing corner of the gutter
but was able to keep his eyeballs.


Improv 46: Philip Larkin “High Windows”
“The Slide from the High Window”
Rollercoaster Tycoon style wet and wild
water slide from the highest window
in the tallest tower that would startle
even Rapunzel’s illegally adoptive mother.
Corkscrews and S Bends what could
be hundreds of thousands of feet
only to freely cascade
down
into
consciousness.


Improv 47: John Ashbery “Farm Implements and Rutabagas in a Landscape”
“Popeye’s dishes”
Crusted with spinach and too bad
Olive Oil won’t offer her dressing
to lubricate his lips because they
just bought a full palate of cans of collards
from Costco, but Popeye’s
nerves need Olive Oil to stop
flailing and wailing
Woe is Me! Woe is Me!
and Popeye’s Adam’s Apple
needs name brand leaves.


Improv 48: Albert Goldbarth “20,000 Miles”
“Wingspans”
Streets lined with cranes
measured by wingspan, not miles
fingertips raped by paper
sliced, stained crimson from creating
wingspans unfold, scatter and tear
venturing with age
and wingspans grow wider
as their paper dissolves
in ill advised weather


Improv 49: Martin Espada “Niggerlips”
“Copperskins”
sucked by white with hunger snakes
eager to ferment food for noxious nectar
and contagions no medicine invented
quite yet could ail. The bleached serpents
drained their copper colors from their
tears on a trail that succeeded at
exterminating most of the innate and organic.


Improv 50: Stephen Graham Jones “Green Pants”
“Roller skate proper apparel”

The proper way to wear pants while roller skating, not roller blading mind you, is to wear slightly sun bleached denim, with a super flare that cyclones barely above the wheels and closes at the knees. The tighter around the thighs the more efficient your skating skills are because the element of danger has increased dramatically. You must always attempt the disco, rocker sideways split and spin without gaining distance as fast as a human hurricane could. Those who are judging will flock for an autograph, give you straight 10s, or show you their tits. You may break a few bones, but popularity like a cool cast, does not come for free.


Monday, February 11, 2013

Junkyard Quotes 11-20


Junkyard Quotes (second half)

11) “I hate that cancer is a ‘fight’… but infertility is a ‘loss’ (postsecret)
12) “I can speak Canadian: Moose Moose Hockey Syrup Moose Moose”
13) transparent irises under inky, shallow secrets.
14) lesbians don’t scissor they sexy time wiggle
15) on this bar stool I can’t stay so I take my frown to a faraway town
16) I will live my life as a lobster man’s wife he will take care of me and smell like the sea
17) summer came like cinnamon so sweet
18) the circus is falling down on its knees
19) tread water and keep your head above the waves
20) a brain that felt like pancake batter

Workshops 1-3


Workshop1
“The Yellow Symposium’s Muse”

Plays cold and jams pearls
Into a hollow wooden womb with a plastic
Crimson and gold inlay of feasting
Hummingbirds to protect the
Scraping strums of metallic
Chords that blistered the fingers
Who knew so well that
Canary whose rainy murder would relentlessly
Etch and callous inspiration into
Tantalizing silent screams
Rhythmically clotting,
Begging him to share some whiskey or wine
and confess the yellow symposium’s muse.



Workshop 2
“The Narwhal’s Starfish”

He found it on the back of his hammerhead’s
impregnated blue-eyed Mako. She surrendered
it as a donation of October.
He brought it to its native shore and
persistently protected by puncturing
every predator. Then emerged the hybrid carnivore
and was adopted by the mighty mammals.
The narwhal forgot the starfish on the strange foreign
sands of the Gulf. It patiently lingered, awaiting
the mysterious comfort of its confident companion
to return with lionfish-like songs of sanguinity.
After half a decade of enduring strange sand and sunny
circumstances, the starfish dried and starved.
Its carcass now resides with the other foreigners
strung to clink in the wind next to the
city specific shot glasses.



Workshop 3
“Dissection”

Five years of regular research and persistent planning,
exploring and excavating exact environments,
anticipating that fully equipped harpoon on the
lobsterman’s Carina, to capture that damn
narwhal, the one who torments and punctures,
building and destroying natural habitats
engendering headaches with its constant
singing and bellowing,
begging to be severed wide open
and vulnerable, exposing his walloping
core, pleading to have his nuclear heart
surveyed and scrutinized for signs of malfunction.

Improv 51 (“Ape” Edson)


“Dad is Damn Sick of Eating Mom’s Cookies”

Mother bakes his favorite Oatmeal Raisin Chocolate Chip
every third Sunday before his bro-time
poker.
Father has exclaimed Oatmeal Raisin Chocolate Chip is no longer
his favorite sweet. He prefers Snickerdoodle.
Mother’s shade of lipstick has progressed from a coral to
bright open-fleshed red. Her perfume from honeyed sugar to
a sensual musk. 
Father’s poker games
have started to run later than usual after Mother has already
scrubbed away her potent spices and facial façade and then has
gone to bed.
Mother utters behind her pristine veneers a hiss of affections and
selfish poker puns.

Improv 50 (“Day Job and Night Job” Hudgins)


“Practice Practicality”

Get a job.

I have a job.

It doesn’t pay enough.
Get another job.

I have a job.
And I go to school full time.

You can get another job.
One that pays more.
And gives you more hours.

More hours away from creating
artwork and writing?

Yes, you will have plenty of time
to do those things when you
graduate and
get a big girl job.

Respect your elders.
They are wise.
They know what’s best for you
and your financial future.
 

Improv 49 (“You, Doctor Martin” Sexton)


“Hypochondriac Queen”

She’s never had a pancake, a slice of pizza, or an apple.
She’s sixteen and has approximately twenty-three seizures a day,
where she can only sit, paralyzed, and blankly stare directly in front of her.
He had to save her by moving in, and attending all of her MRI’s, heart exams,
and brain assessments.
He had been extracted like an eagle egg knocked from the nest
by a snake, who only wanted to suck it dry and leave the shell.

Then she was immediately pregnant.
He requested evidence.
Ten minutes later she miscarried.
He decided to carry his vertebral casing away from her regal rubbish. 

Improv 48 (“Degrees of Gray in Philipsburg” Hugo)


“’Hatred of The Various Grays’”

Gray and Beige,
Beige and Gray,
Bare naked and new cubicles
Hallways of prisons and schools
These are not tints,
These are somber neutrals
Meant as a primer for post-mistakes
They are not calm and cool paint swatches
That is for the Monet’s Lilies and Aqua Breezes
They are not stimulating or motivating
Like Lantanas or Pumpkin Toast
If you’re going to go flat and gray,
or bland and beige
adding a smudge of hue will level it up
to a chromatic gray, that expresses
close to something rather than nothing. 

Improv 47 (“Clear Night” C. Wright)


“’Bird Hush and Bird Song’”

Green emerald glazed hands
welded for giving and getting
displayed on the trunk of the palm
holds seedling snacks for those singing
twitchy necked definitions of freedom.
He hung the slip-casted weapons to
snooze the crude cheeping at dawn and
gun-down that provoking raucous.
Now, only the rooster crows, but
his internal clock is armed for
Eastern Standard Time.

Improv 46 (“The Skokie Theater” Hirsch)


“Chicago is Too Cold for Change?”

I’ve pranced incessantly back and forth with the same faunae of the Eastern South for a decade and a half. A revolution is the light at the end of the tunnel. They could never stomach such a shift in communal scenery. Formerly, my capability to expand prospects was arrested by cowardly con-artists, those inhibited cubs who will soon be dominated by their youngers stripped of their women and banished from the Pridelands. Chicago holds a lot of cold change for skilled beggers, but can I be choosey and settle for the comfort of the dry desert dirt?

Improv 45 (“Explaining an Affinity for Bats” Stallings)


“MegaBat and Pueo (the Barn Owl and the Fruit Bat)”

A tail-less meerkat, cocooned in his own embrace
Upside down, patiently looming for his wise spotted-breast
side-kick to return with the nightbeat and some avocado.
“They say you need to compromise the mango trees”
She confessed.
“I will not be vanquished by puny buzzballs”
He persisted.
She began to pluck away chromatic plume after plume
from her regal form.
He frantically flapped and produced mousey ‘Eeks!’ to
obstruct her horrid habit.
She darted towards the hive, he resumed to his cocoon
in triumph. She never sonically announced her plot
and gorged away his stunned expression. 

Improv 44 (“Daddy” Plath)


“Daddy’s Achoo”
A virgin to the pollen of Georgia
called to tell me I had an Easter basket in route
to check the front door to see if it had arrived
my first day of Spring Break
best surprise to see your Daddy deliver candy
from across the country and then some Pacific away
rollercoaster parks are great for memories
unless you count Daddy sneeze eleven times
in a row in the rental car in the parking lot
we left early
My undergraduate senior exhibition is planned to
display in April.
A basket of dust masks and organic antihistamines
will make for a savoring souvenir.

Improv 43 (“The Artist as Lefthander” Dunn)


“’When America Gives Back Its Images’”
McDonalds is Mayhem. Pedestrian “lovin’ it” and
Monopolized shopping depots.
America should give it back.
Return all the conforming clichés and conventional
Conveniences. When was the last time someone
Physically labored for their conquests? Experienced notions of
Reward other than virtually?
America should give back jobs.
Return parents to be heeded and respected as role models,
Not names and fixed faces that the chances of holding
Conversation with are slim to none like their bodies and morals.
When did the schools become a center for judgment and abuse?
Hasn’t that always been the occupation of the church?
America should give it back to individuals’ beliefs. 

Improv 42 (“To Market” Nelson)


“The Stroll of Streams”
All of us must be removed the icy, pale peoples’ property.
We are not dark enough to stay and work and live.
They say our land is ‘sovereign’ and sacred. That it
Holds so many resources we will never understand how to
Utilize properly. They are unknowing Agidoda says and
Edoda will strike back against their misuse of our home.
I pray the river will flood and storms will
Destroy in progress construction.
I pray the birds and wildcats will unite and attack
Bringing the eyes of these men’s young to their own young to
Feast and use their hair to build shelters and nests.
I prayed first for us to share our properties, supplies, and
Above all, knowledge. Now I pray nothing but
Fatal sickness and flaring fires. 

Improv 41 (“Salmon” Graham)


“Yellow Hawaiian Tang”
Also referred to as a Sail or a Surgeon:
The denotative salty tank companion
Can be snorkeled with in vast schools
In open bays with heavy volumes of freedom
They nourish on the flesh of their chums
And without sufficient photosynthetics
Will resort to belligerent behavior
Personal experience will express that
These white-butt-spotted flattened bananas,
Much like the modest full-time students,
Fancy the delicacy of Ramen in the wild.

Improv 40 (“The Pardon” Wilbur)


“Fredrick The Fly”
On my back porch, where my
Mother and I bond while inhaling toxic tar
The lit fan above has a pet gnat
The family has entitled Fredrick the Fly.

He appeared over Summer and
Loops rounds hovering on the finned blade
When tired of rotating for hours on end.
The mosquitos’ citronella never kept him at bay.
His girlfriend Francesca appeared in mating
Season, before the first frost
The cold spell and winds must have drove them
away, for they have long been departed. 

Improv 39 (“Japan” Collins)

“Tylin Cayra’s Lily”

Skinny White Bitches
The Liger Sasqatch chases
Gnawed hollow marrows 

Improv 38 (“Nonessential Equipment” Dubrow)

“Garrett’s Letters”

My little devil-dog in training
taller than me and when
he graduates I won’t be able
to drunkenly attack with tickles and punches

No one yells for Mom to turn off the whining
about beer and lost love in the car anymore

We read every letter aloud
at first he shared his regrets, his apologies
for leaving us for his pathological first love but

He has followed his dream, his passion
to protect our country and follow Pop’s footsteps

As each letter arrives there is more writing
so small Mom needs her nonessential glasses
and more apparent enthusiastic anticipation
for violent, rigorous plans in his schedule.

The exhausting games are becoming
strength and entertainment.

Nothing but impressive honor has filled
my veins for sharing his blood. 

Improv 37 (“The Dancing” Stern)


“Post-War”
Playing Scrabble on the kitchen table under the hand-sewn drapes adorned with fruits, framed in yellow.
On the red tablecloth older than Grandma’s eldest sister, so as not to scratch the already scuffed wood.
Challenge after challenge from The Lawyer, with the nose of an Italian, sipping, slurping Pepsi.
The Lawyer, a retired Marine, endured the war in Vietnam, and Korea. All that cooking must have been Traumatizing.
With Christmas creeping, and my brother with a Gun-Ho aim to enlist his passionate existence to our Proud U.S. of A.
I inquired for contribution of mementos or materials to share. “You’re brother wants to be a Marine”
“Yes, he’s been wanting to follow in my Grandfather’s footsteps for years”
“You better talk him out of it unless you want him to die”
My Grandmother has been married to The Lawyer, uncouth and monotone
Rubbing her calloused, since before I was born. My father and his brother did not attend their union of settle, not love. He will never have the privilege to be my Grandfather.
Both on paper are classified as Marines, only one deserves
Recognition.  

Improv 36 (“One Art” Bishop)


“‘The Art of Losing Isn’t Hard to Master’”

Each month I get faster with plaster
pouring and knocking bubbles out
like the sins of a pastor
yellow is the content for my watercolor
tigerlily grid that should have been aster
they weren’t opaquely rich enough
critique was a disaster
art history doodles to distract myself
from studying the origin of pilasters
too late when I realized my collaged spiral
staircase base could have some casters
my works’ conceptual reputation
suffers from hazy intellectual raster   

Improv 35 (“Robin Redbreast” Kunitz)


“Romeo and Juliet, One Black One Blue”

During my morning routine of relief
Dueling flocks chirped sacrilege
Or searching for their kin’s perfidy
Hiding their  revolutionary ardor
The short shrills were too close to be
Outside the wood panels
That lacked insulation
Hitchcock’s Birds overwhelmed
My mind’s cinematic creations
Caitlin opened the fan door
Meant for dispelling the foul and
Bereaved the broadcast of stiff birds
We placed them in a stereo box
Wrapped with a pink ribbon and
Buried them behind the visual arts building
Three feet under red Georgia clay
Interrupted with the roots of Marci’s stump

Improv 34 (“Little Oscar” Dybek)


“Preservatives From Concentrate”

‘My bologna has a first name’
It’s N-A-S-T-Y
‘My bologna has a second name’
It’s Flattened Ha-aht Dogs
Usually last names are based upon
places of origin.
Where do these rubbery pale purple
meats come from? Bill Nye showed
me a meat locker once. Pigs and cows
red and white insides in suspension
like oversized fish guts on hooks.
Vegetarian for two days until
chicken sandwiches at lunch were served.
Red-meat is rare
apart of my diet. The ugly birds
startling and skittish are my
meats of choice that shred not tear
without bubbles that sponge to my tongue.

Improv 33 (“Dead Horse” Lux)


“Beans and Weenies”

A cheap and filling course for a family of six.
Noodles and butter works just as well with
lots of pepper.
Poor Mufasa. Cooped up in the Chevy Astro
for two weeks, from hotel to hotel on our
transferring voyage across the country.
My stepfather gave him the freedom of
only returning to our new blue house for
food and shelter. When on New Year’s Eve
The beginning of the last of the 20th century,
he returned, gashed cheek and half face
missing fur, limp, begging for revival.
I begged my parents not to take me from him
leave him cold and alone in the tiled bathroom
yellowed from Mom’s cigarettes
so they could go drink until they didn’t make
sense even to my elementary ears.
When we returned, my stepfather wouldn’t
let me see him. Mom cried and said Daddy
will know what to do. None of us know
even now where he takes their fluffy carcasses.
I wrote Mufasa a letter on an orange matching
balloon with sharpie and let it go in the backyard.
I don’t remember if we had beans and weenies
or buttery noodles with pepper though I remember
I played with my Christmas present book of
optical illusions.

Improv 32 (“The Harlem Dancer” McKay)


“Dangly Shaky Gold”

On shimmery golden abs, tight with those V lines for holding.
Her golden shoes, she said were from Ebay, must have made her
A whole foot and a half taller.
Strappy in all the right places, she never stumbled.
A circle of a crowd had gathered around her hips
Awe struck by her luxurious alleviation of
Gravity owning momentum in every physical manner possible.
Her foundation nude lips never quivered,
Never broke,
Every elegant effort never traveled facial expressions.
When she bent to grab her robe, I saw the purple gold on
Her back thigh.
I pray she just relished for the BDSM lifestyle and not
dictated by dominance. 

Improv 31 (“Blood” Nye)


“A Respected Lady”

A respected lady
Never wears overalls. Those are for farm boys.
A respected lady
Never cusses. Unless she’s alone in her car ‘driving faster than her guardian angels can fly.’
A respected lady
Never tattoos her pure skin. Only trashy girls and worthless boys get tattoos.
A respected lady
Never drinks more than one glass of wine at dinner. Why would you want to?
A respected lady
Never settles for a husband. Unless he’s a lawyer and ex-Marine chef asshole.
A respected lady
Never lives with someone of the opposite sex unless they are married.
A respected lady
Never eats pizza with her hands. Always cut with fork and knife in proper manner.
A respected lady
Always sucks it in when she’s trying on dresses for her father’s wedding.